1935-11-19 — Page 10

LADIES YACHT RACE

Fourth Championship Series

The Ladies 4th Championship Series was held by the Royal Hong Kong Yacht Club yesterday over a course of 7.1 miles, Chan- hel Rocks (P), Holt'a Wharf (P). Quarry Bay Mart (8), Club Line, with the following results-

Carpenter, -A1

"A" Class-Started At 14.45

Finished Fos. Pts. Prev. Ttl 16.07.05 9 10 0 19

16.09.25 6 8 10 18

(Mrs. E. R.. Edwards)

Lobo, A2.......

(Mrs. Chugh)

La Linda, AS

(Mrs. M. G. Keary)

Joss, AB

(Miss M. Larasen)

Trueblue, Air

D.N.S.

·Pat, A12

16.06.22 2 11 27 38

16.05.02 1 13 39 $2

11 11 18.08.06.4 9 92. 41

1

(Mrs. D. W. Persse)

Stella, Yl

Robuna, Y4

#1," "Y" and "G" Classes-Started At 14.50

(Mrs. M. Ellerby).

(Miss H. Gerrard) *, Widgeon, YS

(Mrs. K-Bilderbeck)

Zephyr, Y8.......

(Mrs. M. S. Hindson)

Toynette, G2

(Mrs R. Harrison)

Sirius. 0

(Mrs. Cooper)

Lola, 09

(Mr. B. Wreh)

Diana, El

Finished Cori. "Pos Pts. Prev. Ttl 18.18.49 18.05.13 4 12 38 48

16.16.48 16.04.32} 3 13 45 58

11

18.20.35 16.07.34 7 9 34 43

16.19.50 16.06.13 6 10 22 33

18.25.30 16.05.581 6 1 34 45

16.23.57 16.03.14) 1 16 41 57 18.23.33 18.04.01

2 14 34

L

"H" Class Started at 15.05

(Miss J. F. Ritchie) Colleen, H2....

16.16.49 18.18.49

16.20.24 18:15.40

25 12

17

1 711 18

(Miss K. M. Goodair)

Rolla. 'H3

(Miss B. Kirke).

Dorothea, Hp ...

Mrs. 9. D, Reld)

RUGBY

W

10.18.49 16.18.49 4 3 19 22

18.23.29 18.17.24 3 4 15 10

HONG KONG DAILY PRESS, TUESDAY, NOVEMBER 19, 1935.

LAWN BOWLS

St. George's Society v.

St. Andrew's Society

ber 23% A

G. S. Archbutt, B. E. Maughan, E. Tuck, V. M, Hast

WHAT CONSTITUTES

GOOD ART?

(By Luis Cham).

scheme, its form is, however, not" so lost as to render it non-realistic or distorted. Tha

The following members have

The purpose of a painting in the subject is bathed than a sub- been selected to represent Bt. comparison with that of muse is lect whose detail is meticulously George's Society against St An- to a certain extent alike, in that rendered. While a decorat've sub- drew's Society on Saturday, Novem-both these appeal to the intellec-ject may sacrifice its third dimen- tual sense the former through lon for the sake of its decorative the eye, the latter the ear. While 10 can be said that the ear has more opportunity of enjoyment than the eye in that the former exerts less strain, it is neverthe- less true that things which beautiful and lively will at once attract the eye. I am not here saxing anything about music be- yond the superficial comparison of its encoment with art; I wil Corine myself to the

B. WBradbury, S. S. Alderman, L De Rome, E. J. Edwards,

J. L. Shellshear, J. Bentley, P. J. Cassidy, T. Coleman.

J. G. Meyer, A E. Bilkstone, H. Mayor, W. S. Drake.

G. Sherriff, W. Ward, L. E. Long- | battam, J. T. Laing. - է: --

G. E. F. Thompson, T. Carr, E B.

Reed. W. A. Cornell'

Reserves:-B. S. Rogers, C. L. Farmer, L. J. Blackburn, V.. Sorby, R. C. Butter.

The match is to be played at the Kowloon Bowling Green Club, com- mencing at 2.30 p.m.

WORLD'S BEST

Bre

technical

I

There are, however, three prth- cipal qualities which underlie all good works of Art, Le. excellence of design, harmony of colour and feeling. By design is meant the arrangement of a subject by means of lines and masses so that its centre of Interest stands out and, every part of the picture is well balanced. If the design is not well balanced one feels that the picture lacks cohesion, or some part of it seems to jump out of the picture. On the other hand, if the design" is good, a sense of sailsfaction is felt so that not one inch of it could e sacrificed without detriment to the general effect of the whole.

side of painting in order to de- fine mare clearly the 'qualities, or rather taste, of a work of Art.. "To begin with, I should carry the comparison further. No doubt the Installation of a radio. in every home is bound to cultivate more appreciation of music: but it can hardly be expected that everyone wou'd care to go to an Art Gallery er buy paintings in order to oulti-The same thing applies to colour. vate the enjoyment of Art Who While by design itself it is the aru

TENNIS PLAYERS would care to buy a work of Art rangement of form, by harmony

Mrs. Moody And Fred Perry Rated

for no other purpose than to edu- catę onését? It would be too troublesome or too expensive.

But to learn to appreciate Art s not merely to look at a greater number of plctures, although this

of colour is meant the arrange- ment of colour and the balance of Its scheme. Harmony of colour is only attained when the contrast of warm and cold colours has been ma ntained in the right propor-

is part of the process. If a spectation, and this speaks for itself in

COLOUR BLENDING

for at a Tennis Tournament does the resultant picture. not know how the game is played will not appreciate what is going. and understand the fine poirts, he

Helen Wills Moody of the United 3tates, the comeback queen of the Wimbledon courts, and Fred Perry of England are rated as the

If the colour so employed is too. world's best tennis players for 1935. But if he is an expert specta vivid without a blending of other in the authoritative rankings of A player-and can judge who plays harsh. On the other hand, if too tor-not necessarily an expest colour in a subtle manner it is too Wallis Myers, British court expert. well and who not, he can judge much of other colours were mixed Mrs. Moody, who probably won't good and bad players by seeing with a principal one it looks dirty. receive any ranking in the United most of the game. Similarly unit the colour scheme is too cold States because she failed to play less one is equipped with some in the women's national champion-knowledge of the traft of paint- ships, was placed above her Call-ing, one cannot be expert in juda- fornia rival, Helen Hull Jacobs, oing any work of Art at all. no les and their helpers earned the strength of her victory in the

appreciate Wimbledon ahals,

picture for sound Myers, whose "world's first ten" is generally accepted as the "off- clal" selection, admitted having considered giving equal rank to the two Helens. that

to

higher honour than little Sadler and Griffiths in standing up rushes that so often bure dowd All Blacks Win At upon them not to mention other Lazardous experiences in the hurly bury. Judging from cr.es one managed to distinguish in the uproar. Sadler was the chief hero U the crowd as well

the match.

Llanelly

(Special Air Mail Service)

London, Oct. 23. The New Zealanders were

vic-

torious in a dour strugge in the wet at Llaneity yesterday, when,

The game had hardly settled down before the much-criticized New Zealand forwards effected a

Her great performance at Win bledon, when she trailed Miss Jacobs 2-5 in the third set, then rallled to win, finally swayed him in favour of Mrs. Moody. Until she retired from competition in 1933 because of physical reasons, Mrs. Moody had held the top rank for

seven years.

and Gottfried Frhr. von Cramm of Perry, Jack Crawford of Australia

places in the men's first 10. Germany retained. the first three Wilmer L Allison, Jr., American champion, was placed fourth for lowed by H W. (Bunny) Austin, England; Donald Budge, United States; Francis X, Shields, United States; Vivian B. McGrath, Aus tralia; Christian Boussus, France, and Sidney B. Wood, Jr., United States. Budge and McGrath were newcomers to the world rankings.

TERSONS.

Я

FOUR IMPORTANT QUALITIES

Because an artist has more than

without any appropriate balance of a warm note, It is out of harmony, and vice versa. In speaking of co- ours. I have avoided mentioning such dednite colours as red, yellow, oine etc, because in Art there are no such defnite colours, even if such is the case with the local co- lour of the object in view. Hence

it is only right to define it as warm, midway between the former two. cold and neutral, the last being

two eyes to see nature- Le. th nature is viewed, the lay spectato: eye of a creator through which is usually left to imagine that the artist fails to depict certain as-

Perhaps the most difficult quality pects of nature "perfectly" to

to explain in words in a pičetire ta knowing that Art is omission and feeling-in fact it is a matter for emphasis through the experience the spectator to detect for himself of the artist: Because presented if it is there. Feeling is very sub- in a language that one does not tle: But it can hardly be argued understand, one must not jump to that ir an artist paintä a subject bad unless it is easy the conclusion that a painting is utilizing his maletial as a means to

to under- stand. I therefore verture to put will readily be detected by the dis

express his feeling, such feeling

forward, with difidence, certain cerning spectator. It is a per- aspects of that "language" which manent quality that puts life in a go to make a work of Art. I have work of Art.- Much academic work already defined in my last year's now or in the bait has been so Article the four important quali ties found in a work of Art, Lc. to rules as to lose a sense

meticulously designed and worked Unity, Vitality. Infinity and Re-ing it is dead!

of teel- pose; but I propose to deal more clearly with certain grounds which I did not cover.

possessed little real scoring power. Lanely stormed the line, heeted from important scrummages, 1est ea the defence with nasty resing kicks, and yet always falled badly Following

The ability of the Artist to open the two American the eye of the spectator to the at the critical moments. The for. Helens in the women's list were beauty of nature so that he may wards, packings 3-1 ike the Kay Stammers, England; Fran realize that he has passed the on Hilda K. Sperling, Germany; Mrs. place many times and was never

work, however, is so lightly paint- Certain modern ed that it has life and hence feel- ing. This is not to say, however, that every picture lightly painted Has reeling, but a picture laborions- by designed, thus taking time and exhausting the artist's energy ma

clean heel in the neighbourhood of the Llanelly 25," and Badler and by making the most of the few| Griffiths. having done their part, chances that came their way, they Caughey dashed at a great stride scored two goals and two tries (16 through a surprised centre. "points) to a goal and a penalty bert placed a goal, and it was by

Gil goal (8 points).

these five points that New Zealand The largest crowd that ever an-still led at half-time. They did so Bembled at Stradey Park-20.000 only with the utmost difficulty people--saw their team have most and because their opponents, for or the play and yet fail so badly all their exciting Intensity and when the ball reached the open zest and cleverness that success slipped right out of

kicking. their hands. In other words, slow and inept passing threw away all that the forwards fought for-and fight frequently was the word-in the scrummages and in the gam of kick and rush that occupied most of the 80 minutes. The Lianelly Al Blacks, kept the crowd ballbacks and full-back supported tiptoes, but no more.

be spoilt by losing vitality. their forwards well enough in Hick-kick at goal by Ivor Jones fell States; Dorothy Round, England: spot as the artit has painted, A penalty- Sarah Palfrey Fabyan, United aware that it is such a beautifu ing to touch, but the back play as disappointingly short when its sc- Mrs. Ethel

LINE IS ABSTRACT- a whole was full of disastrous sins curacy of line raised shout of United States; Mme. Rene Mathieu, never trained themselves to

Burkhardt Arnold, proves that many people have

Speaking of design, line is ab- or omission and commission. On expectancy. On the rare occas ons France; Joan Hartigan, Australia, nature, still less a work of Artstract it formed by either the a dry day, perhaps, the veteran when the New Zealanders D. E John might have come to away in the open they were

went and Peggy Scriven, England. The more aspects of nature one boundary of an object or a group the rescue with one or two of his waya dangerous, if always stopped

observes, the more knowledge oor objects In the former case it dropped goals; yesterday, in heavy in the end. Hart and Oliver espew

the law of nature one will pozsoles dennité but in the latter it is going, both he and the centres were clally required careful watching.

by whith to measure how the sometimes Imaginative Generally a greater menace to their own Mostly, however, it was hard slog-

artist treats his subject by omis speaking, there are three kinds of side than the opposite once they ging by the forwards, the smart-

son and emphasis, thus only car line in a des gn-horizontal Verti began to run and pass the ball.

right judgment and taste dere op cal, and diagonal. A horizontal ness of Sadler, and the magnificent kicking of Griffiths that kept

The taste of each of us is vas

line suggests repose; vertical a Lianelly out.

varied as there are schools of art-

et dignity and diagonal as varied as the action. Similarly, there are three ists and even

kinds of tonal masses which should

sec-

Two tries were given away by the wildest kint of passing when Llanelly st were only five points -down half-way through the

ond half. No amount of desperate play up in Lianelly after that, although they front could save recovered to the extent of scoring try and mostly pinned the Blacks down to defence of tn goal-line.

" }, GALLANT DEFENCE The New Zealar ders for

À RETURN TO THE FIGHT

their however,

al-

BRADMAN FAVOURS

L.B.W. CHANGE.

(Special Air: Mall Service)

Adelaide, Oct. 24. Don Bradman strongly supports

38:

anse

M.O.C. request to the Australian number of individuals in the same The second minute of the sec- Board of Control to agree to use school. Thus it frequert'y hap- actually bene to linh phíendmeta vengeance, The Llanelly pack forthcoming matches to be played work of art, one is tempted to ze ond half reopened the battle with the experimental lbw, rule in the pens that when one's taste is in of colour, and there should co- clined; to a certain; quality, in or operate with the meaning of ne were now roused to a supreide by E E. Holmes's M.0.0. team Ject other works of Art as being The first kind is flatness of mass used in order to perfect an idea. effort and, with a penalty dec.s on in Australia p offering Ivor Jones another chance, he been of the opinion for "no good although the latter may which suggests repose the sec there came a fine goal from 35 some that & bataan whose that of one's choice. So much de- to suggest thanity, while the have greater artistic value than ond is gradation which is bed yards range. Four minutes later, pa gaps & ball pitched outside ends of the individual rendering third-contrast of dark and light the Llanelly forwards the on stump and turning in so of the artist which we call style tones suggeste action. The em- part well deserved their victory in were wheeling a serummage as to hit the wicket should be out. It le style that differentiates one ployment of colour should be in me their defence, never before seen to merely presented Badler with hir I have seen and learned noth-style of die Artist cannot be readily used. If repose is interpreted by only because of the gallantry or theff, cw #25 and the effort Law

artist from another. The genuine cordance with the line and masa such advantage, and the high entgreat chance. Sadler picked the ing to change that view he adapted to the work of another horizontal use and matness of mass, ciency of the way in which the ball up cleanly at the toes of his added. seized fleeting popportun fles. The opponents and slipped and side-

Sometimes it is so nicely suited to the colour pard, should not be gay try that Caughey scored in the stepped his way over, for a try

one type of subject that it can and vivid as the latter suggests "Arst two minutes was first class which Gilbert made a DOGA RE

not be successfully used for any action. On the other hand it. So, In a dinerent way, was Eddier's

other. Hence there are artists

sunlight

nferpreted, the try early in the second half. - As This try had no restraining

who paint only marine subjects to which their style is best sulted at of dark and Häht tones full play and viuld STYLES

as to bring unshine.

for Oliver's two tries, they oud only be called lucky by these who

tempt to convert into a goo

effect upon the Llanelly team whose backs paid heavily for an

fall to realize that an interception unjustifiable belief in their ability

badly, and the All Blacks had turned the chance to full account

was Caughey and Mitchell who sent Oliver over on this occasion. Llanelly promptly repiled with

tic” and “decoradve," and be

in itself seldom leads to more than to develop passing movements another tremendous entort which We may roughly speak of styl excitement unless it is accompanied the twentieth minute a wild pass at last brought them a try, touch as being "realistic." "imp by backing up of a high order, and | let in Manchester, Eing, Caughey, led down by L. Davies, one of the that, one takes pleasure in reccrd- and Oliver, whose backing-up of centres, in support of a dash by to recognise to ing, occurred in each case each other enabled Oliver to score Smith, No amount of vigour could work of Art belo

Four tries at Llanelly on such a try with Hart still available if save Llanelly now, however; and Judge E day take a deal of scoring and required Gubert pisced a goal, the fast incident, a penalty kick at style. pert the All Blacks of 1935 are entitled and five minutes later was at goal by Ivor Jones, hardly raised though to be proud of the effort that' pling without success, to

made them possible. Yet, one vert a second try by Oliver, Again one of woubia whether even the scorers of Darrelly's passing had broken down, menta

The town had dirtteredi] impresa.onistic

should be

about the

of what

sther:

Date: the

bitterest disappoint realistic" a that has

the sunospheric effect

what the

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