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THE HONGKONG DAILY PRESS, WEDNESDAY, AUGUST 2ND, 1911,
ART AND A PEOPLE'S SOUL
The Re-creator of Lost Health.
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7
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57 SM-HNER.
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THE DIFFERENCES BETWEEN FRANCE AND ENGLAND.
OF TYETTE GUILBERT:] In England, as in Franco-indeed anywhere, every where the soul of a people is not fashion ed in the one mould, nor wrought to a single pattern Nay, all its parts are scattered throughout the provinces, and every end of the hand create the testimony of its wide significance. In Paris you will not find the whole soul of France.
For the fulness and her reality you must search all over the Jand, to bar uttermost parish, so that, by fusion of the whole, you may alone discover the soul of the whole people.
So in London will not discover England: but to country places, to her furthest bordma, you must go and gather together and melt into whole the thing that is the soul of the people. No, the great central elites are but the head and front of race. London, Faris, Berlin, Vienna-three do not give utterance to the
whole
soul of the peoples. You must seek it far and wide throughout the land, at the confes sional, of those ports who reveal the aspirations and desires of the folk in far hamlets, as well as in the voice of the cities themselves--the voice of the race attered in its art. And the volos that gives the most articulate confession of the roul of a people is in the songs of the people- the most complete image of the soul of the 12.00. To trace the literature of song in England is to discover the mentality of the British people.
Lot France and England, then, stand forth at the great conferatona).
SHEER TRUTH.
The mentality of France has never abrunk from one great quality; Her art of song bas nover swerved by a baire-breadth from fidelity to the land and to the race; it has never bowed to false geds; it has been true to the altar of its faith fearless truthfulness. Daughter of ancient Gaul, she is frankly, fearlessly, at times recklessly, natural. She never hesitates to set aside modesty if her sense of satire or justice demands the trath; and thus, and only thas. ever thas, can the great loseons of morality be revealed to the human soul --by feericas truth, without the allurements and the hypocrisies of immorality for immorality alwara parades the glamour of vice, always sants svell oror is hideous consequences. Whatever Its falls, there has never been a race more straightforward than the French people. In her literature and in her song, truth without besitation, without reserve, without mock- modesty is forever discovering to the unwary. the pitfalls of life. Strangers do not under stand, or understand ill, or misunderstand, the real value of the French sincerity-the freedom of French art
BOOK EDUCATORS. ·
Now, remember, books are our sole, great odnentors. From books in our infancy our mothers teach us the first lessons of wisdom and religion. At the school and university, thanks to books, the sciences and the arts pro.
revealed to 08: Later, the novel and the drama and literature generally instrust us in life, and the sins and trespasses of humanity ought to be known in every aspect of their hideousness, that we may be taught to avoid them, and to forgive them, siney to understand is to forgive those who are too weak to walk up-rightly, lacking the aid of will, their energies too emaciated, or their bodies too weakened by losting.
It is in this straightforward, fearless grip of trath that the literature of France, hus, and bas siways had, its foundations. It has never swerved from it. Whatsoever cradities. may have gone with it, strangers have only too readily exaggerated and dwelt upon; but the virile and vital art that results has never been denied, nor can be denied.
Now this great and vigorous race, the Eng. lich people, strong and virile, strangely enough, has not for generations shown this fearless truthfulness in its art in any of its arts. What ever fine qualities you may discover in English literature, you seek in vain for this fearless and straight forward fidelity to the land and the race. England could not have produced over mighty people if that people had been repre- sented by her modern literature.
In her earlier centuries she, like 'all the other grent peoples, steeped her literature in the general atmosphere of her aspirations, of her life, of her real feelings, and revealed her grip apon life as a whole. She followed the highway of her destiny freely, fearlessly, until one fine day, almost before his singing was done, the free and fearless art of the mighty Shakespeare was dethroned by a Paritanism which bound the frath hand and foot,
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English songs of the seventeenth and eight. eenth centuries contain obscenities so appalling that I know no romance or song or pret of the past in France to equal them. There are volumes of these English songs which it, would be very curious to read before a public warned of the intention-these old songs which were the naked soul, the fundamental soul, the soul. sincere, of that England which to-day is maak. ed and made up, painted and powdered like an artificial beauty,"
At the same time I am surprised to see that this Puritanism has left the English race delightful, so found, SQ full of those qualities that make one, when one comes to know England, with to live one's life in the land. It is because the soul of the Eng ish people is really as straightforward as their heart is sound and courageous that my frank- ness has been shown so loyally in these words that I write in the hope that they may be un derstood, and that an old friend like myself has dared to sing core of the humane songs which modesty does not parade itself. Prudory was pitiful of the lives of the failures as well as of 4 parade of modesty has been set up-and they call "unpleasant." and which are but deep orios of misery and of pity-ongs of the life born-an bypocrisy of false modesty-as though to deny the facts of life were to abolish there these that barve known happines. In singing hid itself behind them I have never been dictated by an improper a meek. I am told that
art nor in the men of genius who created them. When, among people of noble instinola, one ugly thoughts cease to be born. Hearin touches on the misery of
the trans maison. And in my art
to these
who listen
to vigorous people suffer this unthinkable
heart what I expe
at I expect thing. The son of the people is disthem to give to me, figured.
And I ask to be judged Her art Los censed to
simply as a thoroughly te Vital bocanse art has ceased to be sincero; her art Fronch artist who has come into contact with ceares to be noble because nothing comes to the
misery, much disappointment--one who aid of humanity from it. Above all, no one deep pity which she has not always found in pats into her art that which she feels, all that This vat was started by the late Robert Thor at bold out a hand to the poor sinning others, and which it in her heartfelt desire to of Greenock and has been sold as No. 4 since 1831. market-place; mean and sordid vices are openly arouse in her follows, - Daily Express.
facts. The soul of the roulating libraries, intention. There is no such intention in their |
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127
of England what they may be permitted to read, and this at a time when women are clamouring for the rete, and that the women, and
78217 of
the
mast
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talked about; but certain frailtiesare not "nice." And the fallen woman, above all other sinners whatscover, is not "quite nice,"
the thieves and embezzlers and
# folk, who batten
shady upen others im society, are shocked at the mention of a sinning woman-in public?
They hide life, m
turn their backe life as arted out the
though by so doing they disagreeables They draw
s heavy veil over the wretched of soul they shut out the right of the trespassere and sinners. They bring up youth to believe that there is only virtue on the earth; hiding from them the uglinesses that threaten every huma soul; and they are strook with amazement when youth, grown to manhood or to womanhood, coming into contract with the world, suffers wounds, und, returning to the parents and governors and teachers, scowls at them and ails them with the tamat that their gospel has been an elaborate lie! They con-
at the uglinesses without ouring
either the werkpossen For the
or the uglinesses dangers thereto. They kill art. Even while they prate of beauty, they kill beauty for truth in bekend- ed. The imagination-that sublime recreation of the human adventure-is narrowed. Little by little the national soul becomes infirm, puerile, charming, childish.
THEN AND NÓW,
Now, it might be thought that this mask of prudery at least would have made the literature fres from impropriety. Not a bit of it. Thare same for awhile a resetion against hypocrisy. The nation' went to` other extreme. But at least it was truthful, if naked:
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