1955-08-13 — Page 12

THE CHINA MAIL, SATURDAY, AUGUST 13, 1955,

PRACTICAL HOMECRAFT

Balenciaga-The Picasso Of Dressmakers

METY yenra

FIFTY

By Dudley Birks

doubtless with great misgivings

the part of her husband Velded rich rewards as the yours

went by. So much so that, by

{1

can

Knit While You Relax

N..: For the 30 inch chest Repeat from the 18th to the read the instructions as given. 20th row (inclusive) once then. For the 40 inch chest read the frem the 1st to the 20th row

(inclusive) 4 times. Materiais: 8 (9) oza. Sirdar

Shape The Shoulders Agures within the brackets.

1 Pair No. D Crochet Wool.

Cast off 9 sts. In pattern at !ho all the beginning of each of Knitting Needles, & Buttons. Measurements: Width

Length inches.

from top of maining 45 sts, in pattern. round at underarta 30 (40) 1ext rows. Cast off the re- shoulder-23 (23) Inches.

Teaslon: 0 sis. to one inch Abbreviations: K. knit pressed and unpressed),

t.

.

The Back

1

The Right Front Cast on 67 (75) sts. 1st row: S1. 1, knit to end of 1st row 6 row. Repeat the

Bth row: S1. 1, k. 7, x increase

from x to the last 17 sts, in- once in the next st., kt., 2, repeat crease once in the next st., k. 10. 82 (90) sts.

Proceed as follows for sizes:

From the ago anarks seemed oddly out of keep the only handleaps Spanish pensant boy ng with his rough clothes. Her start Balenciaga lad to struggle curiosity reused, she questioned against lack of background and was scolded by his father im And sou discovered the education,

Although In overy respect Balenciaga for practising the girlish art boy's love of sowing.

Was poor and is a self-made man, and unifie of sewing. Captain of a la ech pleasure boat whose port untutored the Marquesa sensed many who have gained fame by

their own

be never industry hidden talent.

seit The outcome of this briet en- sceka

aggrandisement. was a small fishing village

be shuns personal on the Basque const, the counter was an effer which ful- Indeed.

un-filled mors than the busy's most. publicity. He is reluctant to irate father could not

He i The May pose for photographers. in ambitious thoughts.

puri; sts. stitches; tog. together.times. derstand his son's

to let him copy even more opposed to supplying st. slip one stitch knitways: quesa declded difference to swimming, her Drocoli suit and supplied photography 1 those who write meri

b. 1. through back of loops; Success on fishing and other activities him with a bolt of fabric. One en fashion.

wasl round needle; w. o. n. wool enjoyed by local children. Imaging the nervous joy ulone has been his wi. fwd, wool forward; w. r. n,

Over the he received the which

years paikkat

over needle; p. 1. 1. o. poss the reward. This Intense love of sewing, with

slipped st. over. which his mother encouraged news, which, to him, was both endeavour enrned its

a startling und exciting.

In 1030 he bought a shop in Paris for £10,000. He was then PARIS VISIT

old-still uimost forty years

but tot quits young

Cast on 125 (137) sla. Young, nimble fingers worked young,

1st row: 91. 1, knit to end of success as would a row. Repeat the 1st row the age of 39, the former pessant at the material for some days, enough to enjoy the full, heady

on: stip would wine of

nan man, But

It times. success boy was a star in the firmament terrified lest

the luxurious cloth, young Today, meny ruin of Paris coutine.

Bih row: Sl. 1. k. 3 (1), x in presince in wcelain hin

crease once in the next st., k, 3 the

world's Although the finished copy was was, for his

the Inst 5 (3) greatest dre maker. Trag or not what Balenciaga would to was soon felt.

Today Balenciaga, now in his repeal from x Balcneinga's Benius

to be magnificent, lus day

man of sit, increase once in the next and lably enhanced the prestige revertheless it was geed enough fifty-eighth year, Is

him an unforgettable quiet, soter-hucd dress who carest.. k. 4 (2).155 (171) sts.

both Praccer as follows for Pris as the cradle of fashion, to car One writer bas described tribute; the Marquesa wore his little er forhion

wears a slightly sardonic but sizes: moreover,

expression--some have ChrBring Dios as "the Watteaut cult in public and,

1st row: Si, x pa 1. (k. 1. she was delighted kindly of dicas-making-full of nuances, chewed that

called it bird-like-yet behind n. 2) twice, k. 1, repeat from x

1. K. 1.. chie, delicato and timely and to do 80,

2nd row: Sl. 1, k. Balenciaga us fashion's Picasso, He does so because "like that of a career which was not to the peasant boy.

Balenciaga neither the leader k. 2) iwice, p. 1, k, 1, repent underneath painter,

all his nourish for many years.

of a fashion clique nor does hef from x to the last st., k, 1. with experiments

the modern, significance

Repeat the 1st and 2nd rows Balenciaga

has a deep respect Balenciaga-and his parents attach himself to one, instead, he

apart, resolutely declining once. his abilities, To stands in for tradition and a pure classle cenndence line."

allowed to to commercialise either himself this extent he was visit Paris the following year. There he spent

of the to extend its frontlers.

ELEGANCE, SOLIDITY

ст

"

Wand

ES

claim

2

trendy.

Paris

0

botn

int row: S1. 1, k, 7.x p. 1, (k, 1. p. 2) twice, k. 1, repeat from x to the last 2 sts., p. 1, k. .

2nd row: S1. 1, k. 1, x p. 1, (k. 2, p. 1) twice, k. 1. repeat from x to the last 8 sts, k. 8. Ropeat the 1st and 31 rows once,

6th row: S1. 1, k. 7. x k/1, w. Iwd., sl., 1. k. 1, p. 3. 9. 0. p. 1. k. 1, p. 1, k. .2 tog, wl. fwd, repeat from x to the last

Bi... k. 2:

6th row: Bl. 1, p. 1. x k. 1

t. b. 1., (p. 1, k. 1) twice, p. 1, repeat from x to the last 8 st.,

This episode was the beginning it lies the self-tutored brain of te the last 2 at.. x (p. 1, k. 1 t. b. i., p. 8.

iq

that

Its

It gave

5th row: 51. 1, x ki, wl. or his talent. He has established fwd., sl. 1, k. 1, p. s. s. o., P. 1,

seeing the collect veral days his domain and he has to desirek. 1, p. 1, k. 2 to.. wh fwd.,

Most couture

7th row: St, 1, 1, 7, x k.. 1, a. 1, w, o. n. sl. 1, K. 1, p. 8. 4. o., k. 1, k. 2 tog., w. r. n., p. I. repent from x to the last 2 sts. k, 2.

8th row: 81. 1, p. 1, x k. 1,

FAIRY GODMOTHER

repeat from x. to the last 2 sts, k. 1 t. b. 1., p. 3, k. 1 t. b, L., k. 1. p. 1, repeat from x to the Thirty-two years hard, great couturiers of the day →→

0th row: S. 1, p. 1, x k. . last 8 sts,, k, 8.

9th row: S1. 1, k. 7, x k. 1. andaunted struggle formed the Doucet, Worth, and, of course,

His work has been described. h. 1. (p. 1, k. 1) twice, p. 1, prelude to Balenciaga's success. Drecoil. These he watched with

refinement of k. i t. b. 1., p. 1, repeat from x p. 2. w. c. n., si. 1, k. 2 tog

repeat 2, p. s. 8. o., w, r, n.. n. is story reads like the pages of the critical

a conncis- us having "the eye of

France and the strength of Spain. to the last at, k. . a fairy tale, and Belenelaga can scur

7th row: Sl. 1, x k. 1, w. o. n. from x to the last 2 ste., k. 2.

10th row: 81. 1, n. 1, x k. 2, truly say that without the ald Balenciaga loved Paris but his His dresses have elegance and of 11 fairy godmother he might modest versurces son dwindled. solidity; like their maker, they sl. i, k. 1, p. 5. 8. o., k. 1, k, 2

k. 2, p. 1, repeat from x to the act have gained world-wide Soon he was on his way home can mingle with kings and keep fog, w. r. 1., p. 1, repeat from p. 1 t. b. l., p. 1. p. 1 f. b. l.

x to the last 2 sts, k. 2. enriatner. The lly with the

die again, confident that one day he the common touch."

8th row: Sl. 1, p. 1, xk. 1 inci 8 ts, k. 8. houses create

11th row: Si. 1. k. 7, x k. 1. magle

wen an elderly would return to occupy a glitter- Spanish Marques-the fishing ing sakaru That day, however, models from carefully prepared. 1 t. b. 1, p. 3, k.

symbol community's sole

from x to the last 2 sts., k. 2. of was somewhat distant. The tall, sketches. Balenciaga, however, k. 1, p. 1, repeat from s to the p. 2, k. 1, p. 1. k. 1. p. 2, repeat

Inst practice,

st, k. 1. no slave to this

12th row: 51. 1, 2, 1. x k. 2, eleganes in the outside world. dark-haired couturier of today

Dlh row: St. 1, x it. 1. p. 2. Balenciaga admired the farmer u, man with the typically-curved Quite often he dispenses entirely Kreat

eat beauty at Mass on Sundays rose of

the Spaniard and the with drawings, handling fabrics w. o. n., sl. 1. k. 2 tog, p. s. s. o., p. 1. k. 1. p. 1. k. 2 9. 1, repeat Repeat the 11th and 12th brief moments as she lined brow for

the last 2 sts.. k. 2. of a profound thinker like a sculpte working in mar-w. r. n., n. 2. repeat from x to from x to the last & sts, k. 8. grandeur drove by in the

of her was to travel a tortuous and ble

10th row: S1. 1, p. 1, x k. 2, rows once, He is, in fact, still the practi-

15th row: S1. 1. k. 7, x k. 1. horse-drawn earriage. To the dimoult road as an insignificant

1, k. 2 tog, wl. fwd, k. 1,. dreamy boy she epitomised dressmaker before he was to be gal dressmaker of Sun Sebastian. p. 1 t. b. I., n. 1, p. 1 1. b. I..

Yet He was so crowded king of contemporary ho posesses a genius for the lk. 2, p. 1, repeat from x to use Powd., l. 1, k, 1, p. 4. 5.0.

unutual -- the

devolopment last st., k. 1.

11th row: Sl. 1, x k. 1. p. 2, p. 1, repeat from x to the last of years of practical work coupled

2. shows k. 1. p. 1, k. 1, p. 2, repeat from 2 sts., k, with an outlook which

16th row: Sl. 1, p. 1, x k. i, them a little his first more

of the inx to the last 2 sts., k, 2. Balenciaga set up

12th row: S1. 1. p. 1, x k. 2. (p. 1, k, i t. b. 1.) twice, p. 1. traditional Spanish fluence of

p.1, k. 1, p. 1, k. 2, p. 1, repeat k. 1, p. 1, repeat from x to the

last 8 sts., k. B. Anancial re- styles. His

Compared with other cout-from x to the last st., k. 1.

17th row: Sl. 1. k. 7, xk. white sult, a creation of Drecoll, sources were extremely muriers, Balenciaga's models set no

11th and 12th Repeat the The Marquesa paused and met lisa selection

of materials was red change

rows once.. each season.

15th row: S. 1, x k. 1, p. 1, the gaze of the boy whose re-

enraptured with her dress that fashion.

grace and elegance.

he

expressed his

pruise aloud as

rieps one Sunday. Turning, she

she descended the old church

FIRST SALON

saw the boy's unbridled admira- dressmaking establishment in San tion as he looked at her fine Sebastian.

NO NO NO NO 4O NO NO NO NO NO

that silken

fragrance

she

loves

wl

p.

1.

remain,

Work 24 rows in garter st. every alternate row until 8 sta.

Cast off knitways.

The Left Front Cast on 67 (73) ste. Lat row: BL. 1, knit to end of

row.

16th row: S1. 1, k. 7; x p. 1, armbole edge in the next 12 k. 1, (p. 1, k. I t. b. 1) twice, rows. (54 st.)

Work 14 rows in pattern p. 1, k. 1, repeat from x to the

without shaping. lost 2 sta., p. 1, k. 1.

Work 55 rows in pattern

17th row: S. 1, k. 1, x k. Z tog., w. r. n., p. 1, k. 1, p. 1, making a buttonhole (as before) Won, sl. 1. k. 1. p. s. s. a.. in the 1st and 2nd rows at the k, 1, repeat from x to the last same time decreasing once in- side the garter st. border in the 5 sts.,

k. 8.

18th row: S. 1, k. 7, x p. 2, next

k. k. 1 t. b. l.,. k. 1, p. 1, K. 1,1

.1

row.

and every following 3rd (35 sts.) Work 17 rows in pattern 'with- out shaping.

Shape The Shoulder Cast off 9 sts. in pattern at the

even less. But these were not perhaps it is because he is mox, 2 tog,, wi. fwd., k, 1, wl. fwd., p. 8. B. o., repeat from x to the in the next st., k. B. 82 (90) 61 1. 1. 2. 2084, D. §. §. O., repeat beginning of the next and every

to wear

EMILOT

'LOLE ACDEL

PARFUMEUR,

TRADE

MARK

Crêpe de Chine

ISTAMSHID 1812

Perfume, Lotion and Eau de Cologne,

19.

Montor

CHONG KONG)

39, DAVID HOUSE HI,, TILĄSITAS

A fat chance of slimming

It isn't...it can't be Sally Browni

Well, it is, darling. Why the suprize?

I never saw such a change in anyone. You've got so alim! Yes, I suppose I have, I can't have seen you since Mary Smith's party when that new doctor's wife was telling me all about it, Na riddles now. What '{t'?.

Well, you know I'd resigned myself to middle age spread and putting on an inch a year until I got to 60 ur na 7 - I do indeed and I with you.

Anyway, I was airing the awful possibility to this woman and saying Wait till you get to my age" and it turned out she was fire years older and just looked the picture of youth because she uitga a Ralile Health Balt, fi'n the most marwilows home massage treatment you can imagine. Well, you can see what it's dame for me.]). I can certainly do that. But how does it work?

The easiest thing in the worlda belt that you put on and manipulate for precisely five minutes a day. No violent exercis

-- no diet and all finished and done with first thing Độ

in the morning or fast at night,

If it can do half a much for me, I can't wait to get oba.

'And I frel go`much fitter, Sohila ké ingreuneid ka na

| started using it (100% P

Bannerly Ull I want to know fallow blat muk******

You fust write for their Ulsairated bopičiął teg

• "Malfe Stonii, Appliancée Lads (1055), SLI)

of

in

once.

་

t:

to

b.

p. 1

The Armhole- Bands

(both alike for both sizes)}

Cast on 5 sts.

lat row: S1. 1, knit to end of

Repeat the 1st row & times. 7th row: Sl. 1, knit to the last

t. b. I. p. 1, repeat from x to 5 sts., cast off 2 sts, k. 2.

Sib row: S1, 1, K. 2, cast on 2 the last 2 sts., p. 1, K. 1.

k11, x increase once in

10th row: Sl. 1, k. 2 10g., x the next st., k. 2, repeat from x

n., W. I.

k. 1, p. 2, W. O. Th p. 2. k. 2 2 top, w. r. n., p. 1, k. . to the last 9 sts, increase once

o. n. al. w.

1, k 1,

from X the last 15 sts, alternate row until 8 wts,, ze- sts.

w. r., p.-2 k. 1, p. 2, w. . ., main. far-sering.

Proceed for his styles are

Work 24 rows. In garter st as follows for both a 1, K. I. p, s. 5. o., k. 8. frequently years ahead of curs sl. 1, K. 1, p. s. p. 0., 3. 1, re- last 2 sts., k. 2.

18th row: 81. 1. p. 1, x D. 1, sizes:

20th row: S1, 1, k. 8, p. 1 Cast off knitways. 1st row: 81, 1, p. 1, x (k. 1, t. b. 1, k 2. P. 1, K. 2*, R. 2. k. 1 t. b..., k. 1, p. 1, k, l, k, 1 roat fashions. Indeed, it has been peat from x to the last 2 sts.,

2. sald that his "black woollen cos-

16th row: Sl. 1, p. 1, x k. 1. t. b. 1. p. 2, repeat from * to p. 2) twice,k. 1, p. 1, repeat

b. 1., k. 1 p. 14. of tumes, ceremonial sheaths

(p. 1, k, 1 t. b. L) twice, p. 1, the last 8 sts, k. 8. Byzantine embroidery and ex-

19th row: Sl. 1, k. 7, k. 2 tog, from x to the last 8 str., K. B. alk. 1, p. 1, repeat from x to the

2nd row: Sl. 1, x. 7, xk, 1, p. 1. 2, repeat from x to the

3 ste, p. 1 . b, L., k, 2. travaganzes of should be

Jet,

Jast st, k. 1.

n., p. 2. k. 1, p. 2, X W. enshrined side by alde with the

17th row: 81. 1 x k. 1. k. 2 w. o. n. sl. 1, k: 2 tog. p. S. P. 1, k. 2) twice, p. 1, repeat. These 20 rows form the row. Repeat the 1st row until peasant clothes, the sacrificial

Repeat the 1st and 2nd rows

Keeping the continuity of the the band is of sumcleat Length vestments and ceremoniel rebes tog, w. r. n., p. 1. k. 1, p. 1, C., repeat from x to the last 8 from x to the last 2 sis, k. 2 pattern and front border.

pattern and the 8 border sis. to go all round the armhole to be found our national, o. n. el. 1. k. 1, p. 6. §. 9. st., w. . ., p. 2 . 1, 9. 2.

wh throughout work 5th row: 81, 1, k. 1, x.

90 rows in edge, ending on the right sido museums, for they form a part repeat from x to last 2 sts, k. 2. w. 9. n., sl, 1, K. 1, p. 5. 5. d.,

18th row: S1. 1, p. 1, x p. 1, k. .

fwd., sl, 1, k. 1, p. 5. 6. O., pattern making a buttonhole (as of the work Cast of knitways. 20th

1. wow: 81. 1. k. 1, p. contemporary fashion history

k. 1 1, b. 1., k. 1, p. 1, k. 1, k. 1

fwd, k. 1, repeat from x to the and every following 27th and

Cardigan UNQUESTIONABLE TASTE 1. b. 1. p. 2, repeat from 1 to . b. 1., 8. 2, D. 1. k. 2, p. 1 Pik 1. plk to before) in the 7th and 8th rows To Make Up The Sleeveless Press each plece separately on t. b. 1, x k. 1, p. 1, t. b. 1. k. last 8 sts, k. B. k. 1, the fast

6th rows S1, 1, k. 7, x D.-1. Balenciaga asserts a bold talent

Shape The Armhole

wrong side under a darip 19th row: S. i, k. 2 tog., x 2, p. 1, k. 2, p. 1 t, b. 1., re- In all his creations, and his tastew, r. n. p. 2, K. 1, p. 2, w, o. n pcat from x to the last .0 sts.. k. 1 t, b. 1., (p. 1. k. 1) twice.

1st row: Cart off 18 (24) sts. cloth with a bot iron. Sew up 1 t. b. If sometimes a litle eccentric st. 1, K. 2 tog, D. B. s. o., repeat . 9.

D. 1, k.

1., repeat from There is never questioned. Almactive from x to the last 8 sts., W. 7. H.,

20 rows form the x to the last 2 sts., p. 1, k. 1. pattern, k. 1, x p. 2, k. 1, p. 1, the side and shoulder

7th row: Sl. 1, k, 1, x p. 1, k. 1. p. 2, k. 1, repeat from x Sew the ends of the borders or not, the women who visit his

to the last 8 sta.. k. 3. cast of 2 together and placing the seam to coatro back of neck, sow Repeat from the 1st to Juxurious salon have unfagging 2.2, k. 1. p. 2, w, o. n. al. 1. pattern and front border,

to the the w. o. n. al. 1, k., 1, 9, să ✨, sts, k. 2. 64 (84) Els. faith in Balenciaga's edicts. All 1. p. z. d. o., k. 1.

TOW 20th row: St. 1, k. 1, p. 1 28th (inclusive) 4 times k. 1, k. 2 tog,, w. r. n. P. 1 Proceed as follows for both in position across the back ore fully ecofident that they aret, b. 1, K. 2, p. 1. k. 2 x (p. 1 then from the ist to the 11th k. 1, repeat from x to the last sizes:-

neck, dressed in the best of taste.

B sl., k, 8. This dour Sparniard claim that. Lk. 1) twice, k. 1, p. 1, row (inclusive) once.

8th row: Sl. 1. k. 7x P. 1; k. 2, repeat from x to the last women must be naturally smart 3 sts., p. 1 1, b. l., k. 2.

k. 1, k.: 1 t. b. 1, p. 3, k, 1 if they are to wear his clothes

Lb. 1, k. 1, repeat from x to lo full advantage. He also be-

the last 2 sts, p. 1, k. 1. loves that elegance is inseparable from patronage with one dress maker-a designer who can dis- sociate himself from trends and fashion flurries. Evan so, he is aware that couturiers cannot ignore what times dictate, but

pattern,

Shape The Armbolos

he reserves the right to say thai 1st row: Cast off 10 (24) ats. so be well dressed a woman docs in pattern, x k. 1. p. 2 k. 1, not have to vary her clothing p. i, k.. 1, p. 2, repeat from X often. This attitude to fashion to the last 2 sts, k. 2. has sot Baknelaga apart as the 2nd row: Cast off 18(24) sts. leader of those who create rather in pattern, x p. 1. k. 2, p. 1, to the last 2 sts., p. 1, k. 1. 123 Balenciaga's creations would (123) str. Indeed be the pride of the aged Proceed as follows for both Spanish Marquesa if she were sizes

Aress.

Shape The Armhole

28th rows.

the

#cams.

of

Sow

the ends of the

then

the sido

2nd row: S1, 1, k. 2, cast on armhole bands together, 2 sts, k. 3, x p. 1, k. 2, p. 1, placing the seam to

the armhole. Sow on buttons to K1, p. 1. k. 2, repeat from x stam sew in position all round to the last 2 ste., p. 1, k. 1.

with buttonholes, Keeping the continuity of the correspond

decrease once at the Press all seams,

2, pattern

Fritters In Italian Style

ALLEN

By IDA BAILEY ALLEN

These

20 rows form tho

1st row: Cast off 16 (24) ste, in pattern, p. 1, x k. 2, p. 1, the . 1, p. 1. k. 2, p. 1, répont from 0th row: SL 1. k. 1. x p. 2 Repeat from the 1st to 20th row (inclusive) 4 times x to the last 8 sts, k. 8, 66 (56) w. o. n., sl. 1, k. 2 log, D. 8. 8. o., then from the 1st to the 10th

w. r. n., p. 2, k. 1, repeat from row (inclusive) once,

Proceed

as follows for both x to the last 8 s. . 8. sizes:-

10th row: p 1, X; L X D. 1, P.1.9. 1Lb.1. Keeping the continuity of the k. 2, p. 1t pattern and the 8 border sts, k2, repeat from * to the last throughout, decrease once at the. 2 ss., p. 1. k. 1. armhole edge in the next 12 11th row: Bl. 1, k 1, x p. 2, row (84 sl.)

k. 1, p. 1, p. 2, .1, repeat

Separate 2 eggs; bent the Work 14 rows in pattern from x to the last 8 sts., k: 8.

667 THE making of a good

whites until "stiff and the yolks shaping. without

12th row: S1. 1, k. 7, x p. 1,

fritter batter was & until creamy, Add the yolkes Work 55 rows in pattern de- creasing once inside the garter peat from x to the last 2 sts, subject for special study by and melted fat to the at. border in the next and every p. 1, 'k. 1.

a graduate home economics arst mixture; then fold in the following 3rd row, (85 sts.) Repeat the 11th and 12th rows student at a university last beaten erg whites.

* Cook: ANAL

trying Work 18 TOWE in pattern DUDE.

15th row: 81. 1, k. 1,x1, winter, and what do you pan, put enough fat to Barely without shaping.

wi two.. know, Chef? The batter cover the bottom. Hent › ̈nná 1,^wl. fuck. . 1. 1. formula finally chosen was drop in the batter-dipped reget

ables or fritter mixture by Cast off 9 ste. In pattern at p. a 2. o., p. 1. k. 1, repeat from taken from one of my the beginning of the next and x to the last 8 stm,, K. 8.

earlier cook books 1 tablespoons, keeping the hittere two Inches apart, as they spread Congratulations, i Madame,"

in cooking sald the Chef. "May I go a'step Brown first on one side, thens farther aid as if the young on the other, allowing about 4 Jady,

conducting these batter mm. Drain on crumpled experiments developed a veget="" towels,

k. 2, p. 1, k. 1, p. 1, k. 2, co revise styles, of feminine k. 1, p. 1, k. 2, repeat from

alive today, for the little peason! Keeping the continuity of the boy has through his own efforts, pattern decrease once at each became the Titan of modern end of the next 12 zowe, (90 couture.

HOW

ΤΟ

YOOD care for, your plano

Gruquires proper know-

how.

Shape The Shoulder

CLEAN THE PIANO

paper nitto misto? We have just. If desired, try in Boop fat, af peclected one in our taste test 380, or hot enough to brown kitchen, which is based on the a cube of bread in 1 min. Itailan idea of fritto

mistoon a mixed "fry, «Ik1 this case we have substituted vegetables in several kinds

abie

By ELEANOR KOŽS

grand piano; on a plate of card board so that the chemicals can't harm the working parts. • Is the of the keyboard. Never allow clean damp cloth and wipe deg. case of an upriski plano, hang a

Fingermarks, nail polish moisture from your cloths to seep Then wax of polish. may be ap- bag of, moth, crystals insido eech | pised of the uncallent, dish

7

of meats. It is an

to us during the able season.

vores

Frifto Miato: Sliced vegetables such a cucumber, zucchini, firm.

Dinner

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or fireplace piala fritter batter and fries, The Chef Freezes water, then dip it into a dost piano cases are made of even the action of the piano, at dinees munlight, radiators, hot bowlful of whipped-up thick on an coony ani andral-clean, this but as he

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