1939-03-25 — Page 8

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MUTT AND JEFF

CUT!

~M-M-M SMACK!

WHAT'S THE MATTER WITH YOU?" THIS IS THE SIXTH RETAKE ON: *THIS SCENE! JUST KISS THE "GIRL GENTLY AND STOP

OVERACTING! NOW WE'LL HAVE {TO SHOOT IT OVER AGAIN!

JON, I (DON'T MIND!

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CUT! YOU LITTLE BOOK!

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THE DAILY SHORT STORY

The Way She Looked

and

at

Pamela never told Monty she was has a new job. You'd only inake her near-sighted. She knew he would unhappy again." want her to wear glasses, and glasses He pleaded and cajoled seldom if ever add to the attractive length, she told him Pamela was liv qualities of any female, And she ing in Rollins. She wouldn't tell him wanted him to continue thinking she her address, was beautiful at all costa,

Sometimes she felt a little, guilty about it. There would come a time, she knew, when he would have to know. A queer sensation of dread came over her when, she thought of what he might do upon learning of her deceit. If he should: stop loving her she would have little left to live. for.

I

Monty know some people in Rollins. He took the first train and called on never hoard them. But they had of Pamela. They gave him a list of people to see who might know have heard of her. He spent three days calling on them. None of them could help him.

or

He spent another three days visit- offices. ing brokerage

Back home The summer passed and winter Pamela had worked for a broker. But came and Pamela --began to

secretary notice none of them employed a

of a change in Monty. At first she answering her description; none thought it was her imagination; but them remembered a girl who looked when deliberately he broke 4 date like her having applied, for a job. with hery one night she knew that her fears were Justified.

:

Panic beset her: Hé was losing interest. He no longer loved her. He had tired of her. There was another

Woman.

Panic gave way to rational think ing. She mustn't let this thing get

her down.

Disheartened, unhappy Monty took a subway train back to his hotel. He stood The train was crowded. hanging onto a strap, staring at the blackness beyond the window. A man jostled him. He turned-and his glance fell on Pamela. She was sit- ting three seats away. Suddenly sho looked up and straight into his eyes.

By Meredith Scholl

She was still young. Her But no sign of recognition crossed life was ahead of her. She must face her face. She looked away. the facts. Above all, she must never let Monty know how she felt. mustn't humble herself to him. She must pretend indifference,

to her It was impossible to get She

Ă desperate because of the crowd. sense of hopelessness came over him. She had forgotten him! She didn't even recognize him? Perhaps it was because he was thinner, haggard looking. He had to know, had find out,

It was hard. Monty called her less and less. Obviously his interest had cooled. There were other things on his mind. He was worried. Probably he was trying“, tõi think' of a way of breaking it off without hurting her. She decided to make things easier for him and for herself.

to

More people got on at the next station. He watched her steadily. Twice she met his eyes, as though impelled to do so, but each time look- packed through and past him. Then sud-·

Sho Only denly he remembered!

nearsighted! She couldn't see him well enough for identification!

The following week, Pamela ed her things and went away. her mother knew her destination.

Monty called three days after she had gone. Pamela's mother said she had gone to visit friends in a distant city. Sho didn't name the city, Ho 'didn't ask.

...

He

Was

-The train thundered on. Two more stations were reached. Then a third. Pamela gathered up her purse and gloves and moved up the aisle near the door. Monty fought his way bé- hind her. He was barely able to get off before the doors closed..

He overtook her, blocked her path.

I've

about:

thing

A week passed. Two weeks, One night a friend of Pamela's named Ogden Drinkwater, dropped into restaurant: after a theatre party, saw Monty sitting alone at a table. She stopped, looked at him.' He was thinner, haggard. There ・ "Monty!" was a tormented look in his eyes.

me. He smiled. "Yes, it's Drinkwater sat down at the table with him. They passed the time of been hunting for you everywhere. -day. Ogden asked questions. At Ogden Drinkwater told me first Monty wouldn't talk. But finally your eyes" He took hold of har he poured it all out-

hands. You know that wouldn't

You know. "Love her? Of course I love her! make any difference. But I've other things to think of I love you too much to let a

like that matter. On the

train want my friends to like her, 200 introduce her to "them and the next was almost franties You looked at time she sees them she

re me and. didn't see me, Then I re- cognize them, or pretends not, She, membered-you couldn't see me.” snubs them on the street."

"Oh, but I could! My eyes aren't celling that bad, darling. But I couldn't "You dope! She' nearsighted. She sees you, well enough to to know: „doesn't; see your

that's why what I know now now that I can she snubs them.

dn't want you see all there is to be seen in your to know beca

new you'd want face.” A her to

And women-with They looked at each other a minute. Then they smiled. Then glasses are

astled on, folks, who were homeward bound and

y stopped and emiled too... (Copyright 1989 by The Associat

· Orden · blow-smoke at

V she shook

eln's

She ed Newsp