Witty Kitty
THE CHINA AIL, NOVEMBER 9, 1938-*
Autumn Hats Are Climbing
Higher And Higher
110-12
(0 1923, by fall Bynaseljeni i
The mentally sketchy girl-friend thinks "tripping the light fantas- tic tee" is one way of climbing the social ladder.
little tricks.
+
"Do try thesarape for spaghetti cutlets. You need: Spaghetti, 60z; curry powder, one small. tea-
As is evident from these typical apoon; two eggs; salt and pepper; [though: modified advance leaders of white sauce one gill; breadcrumbs.millinery trend, hats are getting
"Break the spaghetti into small taller. Some of the models are re- pieces and put into boiling salted miniscent of Victorian top hats- water. Boil until it is just tender the kind men wore. (about fifteen minutes), then drain.
"Return it to the saucepan with The sports hat on the left, high the white sauce, lightly-beaten egg of crown, and with top knot bow, is yolks and curry powder (mixed a Jane Blanchot model in bright smoothly with a little milk). Sea-mustard colour.: The interesting son with salt and pepper. Stir over a slow heat till it is very hot, but do not boil. Turn out on to a dish; smooth evently and when cold mark into even-sized divisions. Shape each into a neat cutlet; brush over with white of egg; coat with crumbs and fry a golden brown.
folded draping of the Bruyere rust felt toque is carried to a high, sharp peak, and the third hat, also run- ning to height in the crown, is an Erik creation-a deep chestnut in colour and has narrow bands of felt arranged in a novel way. Wo- men will add serveral inches to their
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Teal Ducks
.76.ea.
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Quail
42 ea.
Snipe
54 en.
Pigeon
48 ea.
The goose-quill set at a smart angle, is the tallest hat decoration that has appeared up to the mo ment. "This is an Erik creation, modelled in bottle-green felt, and the sky-scraper quill is tartan- checked to match the plaid.
stature this autumn if they take, as doubtless they will, to the fash- fonable tall millinery.
Ostrich feathers are shown by Suzanne Talbot, not only as tufted v trimmings for autumn hats, but for tracing soutache designs in vivid colours on black veils. Others show graded rings and variegated spots: of crushed panne which gives weight to the delicate mesh. Individual veils appears on almost every hat in different way according to shape. Some toppers and morning hats: with new high sloping crowns show- handworked mesh veiling replacing the cache-peigne, and in a contrast such as wine red matching machine stitched lines run through navy felt..
CURTAIN VEILS
Greater fantasy comes for pokeris? Directoire styles when veiling hangaria in gathered curtain style from.iside, to: side:
Veils also go to many of the tur. ban shapes which have been inspir-- ed by the "Drum" film. They add zest to the medley, as they emphasise turbans worn by chieftains of fron-- tiers in India as well as those worn: by tribes.
Fat roiled out brims rise towards one side of Harrow high-shaped crowus with a red nacre risz on. black thrown, as it were, on опе- side. Others 3 exercise a
a new influ- ence for pill-box shapes that perch. forward, while some sit straight and square on the head with two short nape-length hanging panels of wide contrasting ribbon velvet on black. Magenta velvet, ribbon is: one example, but clever, too, is the chieftain's turban of black. velvet with Taj Mahal domed crown shoot- ing forth a single short motif re-- sembling a quill. It is of gold inset with mirror glass and a black velvet nape protector hangs from side to side at the back.
There is the fez of wide black felt ribbon which looks soft, not: harsh, with bent-in top, and simply trimmed by a flat ribbon pointing a chevron upwards at the front above- a curtain. veil..
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