1938-06-10 — Page 22

Nottingham Recital Jazz Piano

THE CHINA MAIL, JUNE 10, 1938.

Today's Wireless

12.00-12.20 p.m.-Relay of Service of

Intercession from St. John's Cathe- dral.

12.30 p.m.--Musical Comedy.

C. B. Cochran Medley.

C. B. Cochran (Compere) as- sisted by Janet Joye, Ed- ward Cooper,

Elisabeth

Welch and Ray Noble and

His Orchestra.

Ball At The Savoy

(Abraham).

ZBW 355 M. (845 k.c.'s) and 31.49 M.

(9.52 megacycles)

comp, by the Drury Lane Played by Marjorie Hayward and

Orch. cond. by Una Bourne.

Theatre Charles Prentice, Mua, Bac. 2.15 p.m.-Close Down. Conversation Piece Selection 6.00 p.m.-Dance Music.

www.

M

(Noel Coward). Charles Prentice and His Or

chestra.

Selection 1.00 p.m.-Local Time Signal and Wea-

ther Report.

Drury Lane Theatre Orchestra conducted by Charles Pren- tice.

Why Is There Ever Good-Bye (From "Careless Rapture"-- Ivor Novello-Hassall). Olive Gilbert (Contralto) ac-

༄༄་ ༑, -ཎཱ 3 *

1.03 p.m.-Albert Sandler's Orchestra

and Keith Falkner (Baritone). 1-30 p.-Reuter and Rugby Press, Weather Forecast and Announce- ments.

1

1.40 p.m.-Grieg-Violin and Piano So-

nata In C Minor.

Winning

CONTRACT

(By the Four Aces)

David Burnstine, Michael Gottlieb, Oswald Jacoby, Howard Schenken World's leading Team-of-Four, Inventors of the system that has

beaten every other system in existence.

-}

THE RULE OF THE ACE AND THE ĶÌNG

The most important single bid, leading to a Slam is the Double Raise of your partner's suit, and in considering the action of either the Opening Bidder or his partner after this Double Raise, the Four Aces: have originated the rule of the Ace

The and the King. This rule is the first method so far devised to decide West which hands warrant a Slam In- vitation. Other Slam bidding rules have been made merely for the pur-4 C (2) pose of telling you how to bid a 4-S (4) Slam. This simple but highly im- portant rule of the Four Aces 5 S (6) System tells you when to bid or in- vite a Slam. It is as follows:

When your partner gives you a Double Raise in your suit

you should invite a Slam-

(a) With a balanced hand, if you can remove an Ace from your hand and still have a sound bid or res- ponse, or

SOUTH

S. 7 6

H-Q 10 4 2

D.-J 48

C-J 10 3 2

Match At

By H. L. Ozorio First Test

(c) Let that be a lesson to you.

5. Medley

7. j

(a) You're a Sweetheart.

(b) Sympathy (waltz). (c) Avalon,

*

*

8.20 p.m.-London Relay The First Cricket Test Match England v. Aus- tralia.

+

6.25 p.m.-London Relay-The First

A commentary on the closing_overs before lunch and a summary of the Cricket Test Match England v. Aus-morning's. play by Howard Marshall tralia.

A commentary on the opening overs of the match by Howard Marshall from Trent Bridge, Nottingham.

6.40

་

p.m.-Mozart Concertos for Harpsichord and Orchestra. Mme. Marguerite Roesgen-Champion and Orchestre Symphonique of Paris con- ducted by M. F. Gaillard.

6.57 p.m.-Stuart Robertson (Bass- Baritone) and New Light Symphony

Orchestra,

from Trent Bridge, Nottingham.

8.35 p.m.-Studio-Rev. C. B. R. Sar- gent-36th. Series Of Opera. "More Voices of The Past".

9.15 p.m.-London Relay-The First Cricket Test Match England v. Aus- tralia. A commentary during play by Howard Marshall from Trent. Bridge, Nottingham.

9.30 p.m.-London Relay The News. 9.50 p.m.-New Dance Records. 10.15 p.m.-London Relay-Lawn Ten-

nis-The Wightman_Cup.

A commentary by F. H. Grisewood,

7.28 p.m.-Closing local Stock Quota-from the Centre Court, Wimbledon.

tions.

7.30 p.m.-London Relay--The First Cricket Test Match England v. Aus- tralia.

A commentary during play by Ho- ward Marshall from Trent Bridge, Nottingham.

7.40 p.m.-London Relay-Food For

Thought'.

Three short talks on matters of to- pical interest.

8.00 p.m.-Local Time Signal, Weather

Report and Announcements.

8.03 p.m.-Studio-Jazz Piano Recital:

by H. L. Ozorio.

1. Bie Mir Bist du Schon.

2. Two hits from "Big Broadcast of

1938."

(a) You took the words right

out of my heart.

(b) Thanks for the memory.

3. Old Favourites..

(a) After you've gone.

(b) Rosita (tango).

(c) Sweet Sue...

4. Hits from "Hollywood Hotel".

(a) I'm like a fish out of water.. (b) Silhouetted in

light.

the Moon-

10.30 p.m.-Variety.

Orchestra with Organ.-

Bell Medley.

Anton and The Paramount Thea- tre Orchestra. Al Bollington at the Organ.

Humorous-

Out In The New Mown Hay. So Tired.

Ann Penn (Comedienne) with

Orch.

Viennese Orch.-

By The Swanee River-Fantasy

(W. H. Myddleton). Plantation Songs (Powell).

Edith Lorand and Her Viennese

Orchestra,

Vocal.

You Can't Go Away Like That

(Miller),

Weeping Willow (Miller).

Max Miller (Comedian)

Orch.

Orchestra-

witly.

Round A Gypsy Camp Fire (Ro-

mantic Gypsy Airs).

Mantovani and His Tipica Orch.. 11.00 p.m.-Close Down.

Pass What's On At the Cinemas

1 S

bidding was as follows:

North East

Pass 3 S (1)

Pass 4 H (3) Pass 5 D (5)

Pass 6. S (7)

Pass

South

Pass

Pass Pass AT THE ORIENTAL "The Painted]

Veil",

AT THE QUEEN'S—“Submarine D. with Greta Garbo, Herbert Mar-1", with Pat O'Brien and George Brent- Pass shall, George Brent, Warner Oland and] -A most thrilling sea adventure.

Jean Hersholt. Somerset Maughan's much discussed novel; in which Grets Garbo gives one of the best perform- ances of her career.

*

(1) A maximum three-spade bid. With any

greater strength, Mr. Schenken would have made an im- mediate Slam Invitational Game Force in another suit.

un-

(2) Mr. Gottlieb has an balanced hand, which would still be an Opening bid without the King (b) With an unbalanced hand- of diamonds. Hence, in accordance a hand with a singleton or a void-with the Rule of the Ace and the when you can remove a King from King, he invites the Slam by a bid your hand and still have a sound

of four clubs. bid or response.

The following deal as

bid by Messrs. Gottlieb and Schenken ir practice for their match against the English champions illustrates this simple but highly important rule.

West, Dealer.

Both sides vulnerable.

WEST

NORTH

S-9 8

H. -K J 8.6 DQ 10:9 5

EAST

Mr. Schenken

Q42 -9.7.8.

Mr. Gottlieb

8.—K J 10.85 8.

H

D.

C—A K 8, 6

*

* * *

AT THE ALHAMBRA "Danger, Love At Work"-Ann: Sothern, Jack AT THE STAR-"David Copper-Horton, Walter Catlett, Franklin Pang- Haley, Mary Boland, Edward Everett field", with W. C. Fields, Lionel Bar-born, .. rymore, Edna May Oliver, Lewis Stone Bartlett and E. Eg Clive in a farce Etienne Girardot, Bennie and Freddie Bartholomew. medal winner of the past.

A gold comedy of love, business and philan-·· Charles thropy with just a touch of back-ton- Dickens' greatest story.

2

*

ature that provides the most hilarious, entertainment. since the advent of the: talkies.

AT THE KING'S—“A Yank At Ox- ford", with Robert Taylor, Maureen O'Sullivan, Vivien Leigh Edmund Gwenn and Griffiths Jones, The first of AT THE MAJESTIC "Madam X." M.G.M.'s British made. productions in -Starring Gladys George in a story which Robert Taylor has his most con-of a woman who made one mistake and (3) A control-showing acceptance vincing role and offers an authentic paid for it for the rest of her life. The: below game.

picture of Oxford which should stir cast includes Warren William, John the memories of old Oxonians the Beal, Reginal Owen and William world over.

Henry,

(4) Mr. Gottlieb signs off. In inviting a Slam, Mr. Gottlieb with exactly one King above a mini- mum bid, has shown his full strength.

(5) A-control-showing bid be yond game.

(6) Still signing off.

(7) Bidding the Slam anyway.

The reader will note that once Mr. Gottlieb invited the Slam ir accordance with the Rule of the Ace and the King, Mr. Schenken's only problem was whether to con- tract for six or seven, and Mr. Gottlieb's repeated sign-offs in |duced him to stop at the Small

Slam contract.

THE

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PENINSULA HOTEL;

HONG KONG HOTEL; REPULSE BAY HOTEL

SHANGHAI

ASTOR HOUSE; PALACE HOTEL.

HOTELS

KES LIMITED

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lation with the Grand Hotel des Wagons Lits, Pe

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